Hari Raya is a time for celebration and tradition. This year, Pavilion Damansara Heights in Kuala Lumpur is highlighting Malay heritage with its “Heights of Traditions” campaign, running until April 13.
In collaboration with the heritage arts-based World Culture Organisation (WCO), the mall is showcasing a series of handmade wau (Malay kite) exhibits from across Malaysia, traditional wooden carvings, and three miniature dioramas – Wau Display, Raya Gotong-Royong, and Perkampungan Melayu.
For city dwellers curious about “balik kampung” scenes, these WCO-built dioramas offer a glimpse into village life and small-town Malaysia.
The traditional wau exhibits are crafted by Azrul Azwan Azmi, or Deqwan, a Perlis-born artisan working with WCO since 2016.
A WCO diorama captures village Hari Raya celebrations, featuring a silat demonstration. Photo: The Star/Kamarul Ariffin
“I’ve been in traditional (wau) crafts since 2010. While kite associations in Kedah and Perlis often hold exhibitions and competitions, showcasing in the Klang Valley is a rare opportunity,” says Deqwan, 37.
He has also conducted workshops and exhibited with WCO, but this is his first time showcasing his work in a public space.
“There are 30 kites on display here, including the iconic Wau Bulan and Wau Jalabudi, both national symbols of Malaysia. The designs feature traditional ‘sobek’ motifs – intricate floral patterns that add elegance to each piece,” says Deqwan.
The traditional wau exhibits are crafted by Deqwan, a Perlis-born artisan working with WCO. Photo: The Star/Kamarul Ariffin
“Historically, wau have held symbolic significance in Malay society, often marking the harvest season or the arrival of the east wind in northern Peninsular Malaysia,” he explains.
Another exhibition highlight is the traditional wood carving showcase, curated by WCO artisan Adam Abdul Lateh. Adam, also a wood carving instructor at Institut Kraf Negara (IKN), is eager to introduce this intricate art form beyond the classroom.
“Our programmes are usually internal, so this exhibition is a rare chance to share the history and significance of wood carving with the public,” he says.
For city dwellers curious about ‘balik kampung’ scenes, these WCO-built dioramas offer a glimpse into village life and small-town Malaysia. Photo: The Star/Kamarul Ariffin
The display not only showcases the craft’s artistry but also Adam’s journey.
“Carving is a unique challenge. Unlike painting, which is two-dimensional, wood carving is tangible – you can touch it, feel its depth, and appreciate its form. My teachers always said it’s more than a skill; it carries philosophical meanings about balance and harmony,” he explains while demonstrating techniques.
Malay wood carving dates back to the 16th century, its intricate motifs deeply rooted in poetic Malay philosophies.
The exhibition is also highlighting traditional wood carving techniques. Photo: The Star/Kamarul Ariffin
“Designs are deliberate and symbolic. ‘Awan larat’ represents life’s continuity, while ‘tindih menindih tidak menghalang’ shows how overlapping elements co-exist. ‘Tajam tak memuja lawan’ refers to sharpness without conflict,” says Adam.
He also highlights career opportunities in the field, especially through IKN’s certification programmes.
“Formal training can lead to entrepreneurship or professional artistry. The flexible courses make learning accessible to anyone,” he concludes.
